How To Talk To Humans (Band Version) from synth-punk pioneers - DAMAGE, from the same-titled EP - HOW TO TALK TO HUMANS, available on 12" vinyl and CD from Space Fish Records. Official release date: May 15, 2026. Visit spacefishrecords.com Damage is an American synth-punk band founded in the early 1980s in Orlando, Florida, and now residing in Brooklyn, New York. Known for delivering hardcore and punk energy through analog synthesizers and live drums — with no guitars — Damage carved out a unique space in the hardcore scene. Often compared to seminal synth-punk acts like The Screamers, Suicide, and Units, Damage pushed the speed and raw aggression of American hardcore into new, unexplored territory. HOW TO TALK TO HUMANS (Remix EP) is a unique experiment in the history of DAMAGE, bringing together a series of remixes based on source tracks produced by Joe Livingston and the band. At its core are two new original tracks by DAMAGE: “Carriage Horses,” a full-on hardcore...

Welcome to the Modern World. Army of the Church and State. Damage is an American hardcore electronic duo playing punk rock on synthesizers since the 80s. Modern World is off their latest album. Inspired by turmoil in American politics over the last decade including the attempted Jan 6th coup and cult of personality surrounding former president Trump. Hypocrisy and disaster capitalism images of dystopia and a happy meal ending.

The official DAMAGE video for Clones, track three, Modern World, 2025, Space Fish Records. This is a cover of the Alice Cooper/David Carron song Clones (We're All) originally released on the album Flush the Fashion in 1980. The Damage version is slightly shorter and entitled Clones. Video and track features performances by Josh Clark (Synthesizer), Joe Livingston (Drums), and Mike Brown (Vocals, Synthesizer). Instruments in Video: Moog Liberation (2), Drums. Recorded track features Moog Liberation, Sequential Prophet Rev 2, Moog Grandmother, and Drums. DAMAGE is a synthpunk band originally from Orlando, Florida, now residing in New York City. Visit https://damage.band/ for additional details.

Ver 2 Video Remix of Black Ice - Performed by Damage ©2025

"It's Fucking Damage" - Intro by Nadeem Khan. Damage plays Modern World off the 2025 album of the same name, live for the first time at Will's Pub in Orlando, Florida. Left to right, Josh Clark, Joe Livingston, Mike Brown. Modern World is the 4th studio album from synth punk pioneers Damage. Now available online and on vinyl. More details at https://damage.band/

Damage performing It Just Won't Pass live at Will's Pub, Orlando, Florida - 2025. It Just Won't Pass (aka You've Got Your Head Up Your Ass) was originally recorded on the Jubilee "O" Kindness album from 1987. On stage left to right is Josh Clarke on synthesizer, Joe Livingston on Drums, Mike Brown on vocals and synth.

Just some well to do happy go lucky synth boys letting their hair down too much. One night it caught up to them. Damage is an American hardcore band playing punk rock on synthesizers. One night they invited G.G. Allin over. It did not go well.

This rehearsal recording from 1985 captures Damage messing around with a raucous rendition of Jaywalk. Jack McGowan is rocking the drums with savage energy in the "pre-Skeeter" era. Bass keyboardist Mike Buchanan flashing his warm smile, Tyler having fun clowning around on vocals, and Mike Brown on lead synth and always the loudest in the room. This video captures the silly, noisy, punk rock energy of the band better than many of the studio recordings.

Mike Brown of Orlando synth hardcore band Damage shares the story of the band’s journey through Central Florida’s underground music scene. The band started out as Brain Damage, but shortened the name to Damage for a gig at a Chuck E. Cheese, of all places. From there, things took off. One of their most iconic shows was opening for the Dead Kennedys at the Syrian Lebanese Hall in Orlando. Mike talks about the band’s lineup over the years, venues, and various shows and scenes across Florida. He also shares what it was like to bring Damage back after nearly 35 years. We dig into the origins of Space Fish Records, Splash Zine, and Club Space Fish. The club hosted countless shows, but is most remembered for the infamous GG Allin performance that ultimately led to its closure. Mike also touches on his 90s band Disco Biscuit and gives us a look at what Damage is doing today. This episode is a deep dive into DIY music history, told by someone who lived it. ☞ Follow us on...

SynthPunk band DAMAGE performing their song Radio Shack You Suck , off of the 1986 Synthology album, live at Main Drag Music in Williamsburg, Brooklyn, September 2025, during the MODERN WORLD album release party. DAMAGE was one of the early pioneers in utilizing synthesizers in live performance of punk and hardcore music. Their early adventures in synthpunk led to purchases of gear at Radio Shack, including line mixers, cables, adapters, and a synthetic voice card for their TRS-80 computer. Everything failed, leading to an ongoing antagonism between the band and the electronics retailer. Decades later, Radio Shack is gone, and DAMAGE survives, still occasionally using their Realistic Concertmate synth.

DAMAGE performing Jaywalk off their 1984 Polar Bears 7" EP live at Will's Pub, May, 2025. 40 years of synth-punk from the early pioneers of electronic hardcore. Joshua Clark (synthesizer Left), Joe Livingston (drums), and Mike Brown (synthesizer right), Chris Douglas of Declared Ungovernable providing back up vocals off to the far right, can be heard yelling "Pickle Nose" in honor of our former police chief, and dear friend, Sgt. Commander Pickle Nose, of the WPPD. DAMAGE can be seen sporting their vintage Moog Liberation keytars, their chosen weapon since the early 80s, Mike is playing his original Moog that has toured the country multiple times, performing shows with everyone from the Adolescents to the Dead Kennedys. Damage was among the first hardcore punk bands to use synthesizers exclusively, in lieu of guitars. https://damage.band/

The punk/alternative music scene during the late 1980s and early 1990s in Orlando, Florida, saw a series of DIY highs thanks to the Spacefish Records label started by synth punk trio Damage, helmed by Mike Brown. The label’s influence extended to its Club Spacefish venue on West Church Street in the heart of the Land of the Mouse. On May 16, Club Spacefish splashes to the surface once again sporting a bill of the city’s leading bands reassembled for the triumphant return. Damage will share the stage with the original (or close!) lineups of Lovegods in Leisure Suits, Bloody Mary, Target Earth, The Riddlers, Deficit of Dreams and Stilletto to reclaim the legacy of Club Spacefish. Long story short: G.G. Allin sunk the club’s fortunes with a characteristically scatalogical show on Nov. 18, 1991. That story’s been told – a lot. But you can't keep a good fish down! Here, we focus on the upcoming one-night extravaganza – the return of Club Spacefish – at Conduit at 6700...

@Damage-FL DAMAGE is a pioneering synth-punk band formed in the early 80s that combines live drums with analog synthesizers to create synthcore - or punk rock played on keyboards. Often compared to seminal synth-punk acts like The Screamers, Suicide, and Units, DAMAGE pushed the speed and raw aggression of American hardcore into new, unexplored territory. https://its-damage.bandcamp.com/ http://damage.band/ https://www.facebook.com/damagefromorlando/ https://www.instagram.com/damagefromorlando/ https://spacefishrecords.com/

@Damage-FL DAMAGE is a pioneering synth-punk band formed in the early 80s that combines live drums with analog synthesizers to create synthcore - or punk rock played on keyboards. Often compared to seminal synth-punk acts like The Screamers, Suicide, and Units, DAMAGE pushed the speed and raw aggression of American hardcore into new, unexplored territory. https://its-damage.bandcamp.com/ http://damage.band/ https://www.facebook.com/damagefromorlando/ https://www.instagram.com/damagefromorlando/ https://spacefishrecords.com/

Mike Brown of Orlando synth hardcore band Damage shares the story of the band’s journey through Central Florida’s underground music scene. The band started out as Brain Damage, but shortened the name to Damage for a gig at a Chuck E. Cheese, of all places. From there, things took off. One of their most iconic shows was opening for the Dead Kennedys at the Syrian Lebanese Hall in Orlando. Mike talks about the band’s lineup over the years, venues, and various shows and scenes across Florida. He also shares what it was like to bring Damage back after nearly 35 years. We dig into the origins of Space Fish Records, Splash Zine, and Club Space Fish. The club hosted countless shows, but is most remembered for the infamous GG Allin performance that ultimately led to its closure. Mike also touches on his 90s band Disco Biscuit and gives us a look at what Damage is doing today. This episode is a deep dive into DIY music history, told by someone who lived it. ☞ Follow us on...

The punk/alternative music scene during the late 1980s and early 1990s in Orlando, Florida, saw a series of DIY highs thanks to the Spacefish Records label started by synth punk trio Damage, helmed by Mike Brown. The label’s influence extended to its Club Spacefish venue on West Church Street in the heart of the Land of the Mouse. On May 16, Club Spacefish splashes to the surface once again sporting a bill of the city’s leading bands reassembled for the triumphant return. Damage will share the stage with the original (or close!) lineups of Lovegods in Leisure Suits, Bloody Mary, Target Earth, The Riddlers, Deficit of Dreams and Stilletto to reclaim the legacy of Club Spacefish. Long story short: G.G. Allin sunk the club’s fortunes with a characteristically scatalogical show on Nov. 18, 1991. That story’s been told – a lot. But you can't keep a good fish down! Here, we focus on the upcoming one-night extravaganza – the return of Club Spacefish – at Conduit at 6700...